Howdy.
Hello, sweetie.
Oh, my God!
Stay back.
Whatever happens now, you do not interfere.
Clear?
What's he doing?
GUNSHOT
THEY SCREAM
Whatever that was, it killed him in the middle of his regeneration cycle.
His body was already dead.
What do we do, Rory?
Number one - who did the Doctor trust the most?
This is cold. Even by your standards, this is cold.
Doctor, I'm pregnant.
We are the Silence.
Hello. Who are you?
You're acting like we've never done it before. We haven't.
Yo, ho, ho!
We can't tell him.
We are leaving the universe! How can you leave the universe?
With enormous difficulty!
You're the TARDIS. Yes.
The Flesh... Doctor, leave it alone!
Trust me.
I'm the Doctor.
Given what we've learned, I'll be as humane as I can. You need to stand away!
Oh, no.
Where. Is. My. Wife?
This is the battle of Demon's Run. The doctor's darkest hour.
He'll rise higher than ever before and then fall so much further.
Amelia Pond!
Get your coat!
'Demon's run when a good man goes to war,
'night will fall and drown the sun when a good man goes to war.'
Protect the child!
A child is not a weapon! Oh, give us time. She can be.
'Friendship dies and true love lies.'
AMY!
'Night will fall and dark will rise.'
RORY!
'When a good man goes to war.'
It's me.
I'm Melody.
I'm your daughter.
A beautiful summer's day in Cardiff.
The sun has got his hat on, the birds are singing
and in the middle of a meadow... there's a Mini?!
We're in a cornfield, trying to work out what corn is.
Karen said, "Is it for the cattle?" I said, "Is it for burgers?"
Arthur said it's sweetcorn. It's corn.
No, but what does corn make?
What other properties does it then go on to...?
They can't have all that just sweetcorn.
All this corn, peace and tranquillity
is about to be disrupted - Doctor Who-stylee
# It's going to get, going to get It's going to get louder
# We're going to get We're going to get
# We're going to get stronger
# We're going to feel, going to feel, going to feel better
# You can't tame this energy inside. #
Whoo-hoo!
It's good to be back.
It's really good to be back.
We had a reunion last night, it's kind of weird.
We're in the middle of a cornfield
and I've been driving through it in a mini at high speed, I must say.
So I had to hold on.
I wanted to have the map in both hands and it be oversized
but I just couldn't.
It's that bumpy, you're literally, like...
But I get to do loads of cool stuff like this in this series.
So I was happy to do it.
Make sure this episode of Confidential is not corny.
Make sure it's cream of the crop.
I said that, you're going against the grain.
Oh! That's why they pay us a medium-to-average wage.
Guys, right there, please.
One of the biggest challenges was waiting for it to grow.
When Steven wrote this scene back in February, everybody was like,
great, lovely scene. Just one problem - no corn.
So we've had to wait until July now for it to grow, which is close to transmission.
There's summer when stuff grows and winter when it doesn't. Who knew?!
Hang on...what's that bit?
That wasn't us!
Aaargh!
Cut there!
With the cornfield scene, we wanted a big exciting moment
when all three characters come back together
and I wanted to kick off the story of Mels
without giving away who she really is.
So, to make her grand entrance, Mels picks some sort of fancy car.
What was it again, Prince?
# Little red Corvette!
# Baby, you're much too fast Yes, you are
# Little red Corvette! #
Action!
You said he was funny. You never said he was hot. Cut!
Me and Matt are going on a road trip.
We're getting rid of Karen first. Rehearsal, please.
She brings down our level of cool.
If I had an Aston Martin, it would have an ejector seat and eject you!
Right! Let's roll! A wee rehearsal, ladies and gents.
Yeah.
Here we go. And action!
That's me, out of time.
Mels! For God's sake! I need to get out of here, now.
Anywhere in particular? Let's see. You've got a time machine, I've got a gun.
What the hell, let's kill Hitler.
Cut there, thank you.
'As luck would have it, that's exactly where they went next.'
We're in Hitler's office today.
And Hitler's here.
It doesn't happen every day. Just standing right over there.
It's a bit weird.
OOMPAH MUSIC PLAYS
It is one of the coolest sets they've built.
Normally we'd do something like this in a real place
but with the TARDIS embedding itself in the wall they've built it.
It's one of the biggest sets they've built for us. It looks amazing.
What do you want?
We looked at photographs, books and online. There's many pictures of Hitler's study.
It's was a third bigger again as this.
It gives the impression of the study he had.
Who let you in here?
Do not call for help. This room has been sound screened.
What the hell is that?
Having built such an opulent office,
the Doctor Who team take the next logical step.
The net curtains will be at the side, open,
so we can see the TARDIS coming through the window
but we'll still get some whoosh, when the glass comes in.
And I want specific bwccch, rather than sound effect.
So, we built one of the most beautiful...
larger sets that we've ever had on Doctor Who
and then we ruined it by crashing a TARDIS through the window.
That's Steven's fault. It's not my fault!
I think it needs to come over on that angle, more towards you,
so it's more in the hydrovane area.
We're trying to set the position of the woofers.
It's absolutely critical I get it on the right angle
because if it's slightly off,
it won't hit the window exactly how I want it.
I've got to get it precise.
We've got one go.
These are my air cannons. Or we call them air woofers.
We charge these pressure vessels up with air,
a quick-acting valve,
so when I press the button it opens the valve, bumping the air through these barrels
because we put debris in there and it helps blow it all out.
Come on!
Handing over to Danny for the window blow! Here we go, nice and loud!
Three, two, one.
# Boom, boom, boom, boom I'm gonna shoot you right down... #
You shot it! You shot my TARDIS!
You shot the console!
# ..Walk that walk
# Walk that walk. #
OK, Danny, is it safe to come in? One second.
Can't beat a bit of real debris, can you? I say so.
OK, can we... ? Yes, good, yes.
Very happy, obviously. Everything went in the window as well.
You can see what I've done, made a right mess.
I tend to do that everywhere I go but, yes, very, very happy.
Wilkommen zu Berlin, mein Damen und Herren
Only it isn't Berlin.
This being Doctor Who, the heart of the Nazi war machine
is in fact in Swansea.
And she bursts open like this and you fly back when the light comes on.
So, whilst the crew man the barricades,
the cast get ready to film River's great escape.
River will run from this direction. Soldier asks her what she's doing.
What are you doing here? She's very slightly rude.
Gosh, the Third Reich's a bit rubbish. Shoot her.
And then foils them by regenerating.
Tip for you all.
Never shoot a girl while she's regenerating.
RIVER LAUGHS
I'm getting more and more cool stuff to do, it's really fun.
I jump on a motorbike,
I get rid of a whole troop of Nazi soldiers
with the force of my regeneration and yes,
it's all happening this morning.
It's quite fun, all in a little corner of "Berlin", Swansea!
Hi, Confo. Confo? Yes. Yeah. It's quite good today.
We're outside for the first time in a while and it's a nice day.
It feels like we're on holiday. Yes. In Swansea.
We're thinking about going to the beach. River's regenerating at the moment,
so we thought we've got a bit of time. Taking her time.
But we're worried we might look weird in our dressing gowns.
You're worried you might look a bit weird, I'm pretty cool with it.
We just need to find a blanket and a bucket and spade. Oh.
Heil!
Come on!
Apparently, all the girls are a bit excited today
because there's a fit one, a fit Nazi.
You've suddenly turned into a schoolgirl. I know!
# Je t'aime
# Oui, Je t'aime... #
MIMICS KAREN: Oh, God, there's a fit Nazi...
Why are you doing a granny voice?
No, that's how you speak. No, it isn't.
With the TARDIS having made such an impression...
Look at this, Confidential. Hey, guys.
That looks great. What a set.
..the crew quickly find the clues to which party they've crashed.
OK, mark it?
There will be smoke billowing out of this at the start of the scene.
And, action!
Everybody out! Don't breathe the smoke, just get out. Get out. Where are we?
I don't know what room, I haven't memorised every room in the Universe.
We are meant to come out of the TARDIS
and not realise we're in Nazi Germany.
I don't know if you've noticed but there's great big signs with swastikas.
Sorry, is this your office? Had a sort of collision with my vehicle,
faults on both sides. Let's say no more about...
..it.
Maybe we're all just a bit hazy from the smoke from the TARDIS.
Taking it a bit too far, Kaz. That's how I've been playing it!
That's good. That's a good, yes. Maybe the smoke's got to us so much.
Yes. It affects your eyes.
This box, what is it?
It's a police telephone box from London, England.
That's right, Adolf. The British are coming.
Having Adolf Hitler on set was strange.
The make-up department and costume department
did such a great job of making Albert look like Adolf Hitler
that when he walked in in his costume and the hair and the little moustache,
into his office with the Eagles and the swastikas and everything,
it was surreal, I think certainly.
I'm about to punch Hitler in the face,
which is not something that happens every day.
And action!
GUNSHOTS
I didn't think I'd get to punch Hitler in the face when I got this job.
When I read it in the script, I did go, that's probably the coolest line I've ever been given.
He was going to kill me. Shut up, Hitler!
Morning. My name's Crispin, I'm stunt co-ordinator for Doctor Who.
Welcome to sunny Cardiff.
When the director asks me,
I find out what he wants to see and what he wants to see in the shot.
I'll talk to him about it, what's the best way?
If I can give him any help on where to put the cameras
and how to achieve the maximum benefit from that shot, that's what I'll do.
This is Andy, who's the stunt driver driving the Mini for the fast, exterior shots
where we never see the fact that it's Rory driving.
I'm going to get Andy in the car, he's going to talk to Arthur when he's driving the car.
We'll walk up there and then pick the line. Can we have the rehearsal with Andy,
so we can come back and see the framing? Yes.
Is that all right? Great.
And we're off, yes.
Off for a little play in the Mini in the cornfield.
With Arthur, driving.
Who wouldn't want to drive around a cornfield in a Mini, hey?
OK?
You're having far too much fun there, I think, Arthur.
That is brilliant. That was amazing. Really amazing.
Excellent, lunchtime. I'm starving.
Yes, we're good now.
Is it running? Yes.
That was great, brilliant, thank you.
THEY TALK INAUDIBLY
Hang on, something's making a noise that shouldn't do.
What's just happened is now we've had the second car, the stunt car
which Andy was driving around the cornfield, has gone over some pot hole and it's broken the car.
So we've had to go and swap the cars, put Andy in the other car
and carry on with those shots.
Because we didn't have an engine
and it wasn't working, we got about five people to push the car,
so we get that movement of the camera through the corn and they can always speed it up afterwards,
so we get the shot we need.
Can't use the car now because Andy's broke it. So there's nothing else for it.
Unbelievable!
This shot here we're going to have,
Arthur's been told he's got to drive directly at the camera
and at the last minute, the camera is going to pan up,
so the car goes underneath the camera but it's going to look like
she's heading towards the camera. I don't think she's aware of that yet.
Arthur, if you take it much further along that path,
towards those trucks and then you turn around, facing my line.
Roger. Move out the way, right?
Don't worry, I'll move out the way.
Action!
CHEERING
I almost had a heart attack!
LAUGHTER
All right?
Jesus! No swearing.
Oh, goodness gracious me!
Very, very good job.
My face was like this. I thought I was going to go into it.
Well done, perfect.
Ladies and gentlemen, that is a wrap on series six, thank you very much.
Here we are, end of the day. It's finally wrapped, 6:30
and it all went very good, good stuff today, busy, busy day,
especially this afternoon.
We had so much stuff to do but it was really good.
Arthur did a great job and Andy did a fantastic job, so really pleased.
126, take two, A camera.
Marker.
Just look at me. Hey, hold on.
I used to dream about you. Those stories Amy used to tell me.
What stories? Tell me what stories.
Vampires in Venice, that's a belter.
We're filming the part where I, Mels,
die and regenerate into River Song, which is quite mad.
When I was little, I was going to marry you.
Good idea, let's get married. You stay alive and I'll marry you, deal?
Cross your heart and hope to die? Yes, of course. Twice.
I looked at the first doctor, his regeneration,
where it was just him on the floor and his face changed
to Matt changing and every character does it differently.
So I'm a bit, still confused about how I'm actually going to do it.
That moment where she regenerates into River and we suddenly work out what's going on,
it's a huge revelation for us and for everyone at home.
Mels, when we first meet her, is a lifelong friend of Amy and Rory.
Hi, Mels. Hi, Rory.
But in those flashback scenes, she's the tearaway and they look after her - scolding her, telling her off
and Amy's being positively maternal with her.
You can't keep doing this.
Given that Amy is a tearaway herself, she's hypocritical.
She's always looking after this little girl.
When it turns out that little girl, all along, was her daughter,
she realises in a strange, twisted, Doctor Who-y way,
she's sort of raised her after all.
OK, explain what is happening, please. Mels. Short for...
Melody. Yeah. I named my daughter after her.
You named your daughter...
after your daughter.
Mels, who has been Amy's childhood friend,
is in fact Melody Pond,
and Melody Pond, then,
regenerates into River Song.
You're Melody?
But if she's Melody, she's also...
Oh, shut up, Dad. I'm focusing on a dress size.
SHE SCREAMS
Cut there, lovely!
'It turns out Mels is River,'
She regenerates, she becomes Alex Kingston and we realise this is it,
this, from River Song's point of view, is her first meeting with the Doctor.
And that story is now beginning.
I've never been regenerated before. It's about time.
It's quite a privilege, isn't it?
It is quite a privilege, I suppose. Everybody has to have their own version of it.
But I just remembered, all I could think about was
when I was giving birth, you're in such...
This was my reference as well.
You're in such agony, real agony,
but the moment that the baby is out, you're fine.
So once it goes, it's a real static...
Arrgh! The power of it. OK? Fantastic stuff.
Every regeneration,
what you're trying to do is turn one person into another person.
You get the camera and the shot set up with the first person,
and you shoot their performance.
So Nina, who plays Mels, was giving it everything she'd got,
the power and intensity of it which goes on afterwards.
And then you tape roll while you take that person out of the shot,
and you bring the other person, who in this case was Alex Kingston,
you bring her in and you put her in the same place.
And she does the same thing.
And then it's all pieced together afterwards.
# Tonight's the kind of night
# Everything could change
# Tonight's the kind of night
# Where everything could change... #
SHE PANTS FOR BREATH
Right. Let's see, then.
0h, it's all going on down there, isn't it?
'She's almost like a snake who's shed a skin, or, I guess,'
like one of the Time Lords,
who sheds a skin and becomes somebody else.
She's suddenly learning to live in this new body, new look,
new personality, even.
Look at that! Everything changes!
Oh, but I love it.
I'm all sort of...mature.
I think one of the great fun... to write and perform
is somebody who's just regenerated, checking out their new body.
If you've got Alex Kingston as River Song checking out her new curves,
it was just an irresistible comedy moment to see that all begin.
It's her, all right.
Melody Pond.
The woman who kills the Doctor.
She's been programmed and brainwashed to be the woman who kills the Doctor.
So the first thing she wants to do when she sees him is kill him.
That's what she was brought up and reared to be.
She has been kidnapped and through all of her life,
up until this moment, she has basically been conditioned,
a little bit sort of like a sleeper,
she has been conditioned to kill the Doctor.
'The child, then, what do you think?' What is she?
Hope.
Hope in this endless, bitter war.
What war? Against who?
Against you.
Doctor.
This moment, in this new persona,
the time has come for her to try and kill him.
I was trained and conditioned for one purpose.
I was born to kill the Doctor. Demon's Run. Remember?
This is what they were building.
My bespoke psychopath.
I'm all yours, sweetie. Only River Song gets to call me that.
And who's River Song? An old friend of mine. Stupid name.
The only time River kisses is when she wants something.
And she usually has her hallucinogenic lipstick on.
But in this episode, yes, she kisses him
because she's poisoning him.
I'm all yours, sweetie.
Kiss kiss.
'This is the start of her story.'
Where she gets the blue book from, we realise it's the Doctor.
Why she becomes an archaeologist
cos it's the only decent way she can think of to find the Doctor.
So it's the beginning, the start, it's the beginning of the River.
170, take one, A camera. And action!
Can you ride a motorbike?
I expect so. It's that sort of day.
It was very cool to have proper World War Two motorbikes
from the period on Doctor Who.
They looked fantastic, everyone was really excited about it.
And Arthur, especially, when he got on that bike, it was very hard to get him off!
'I think we totally made his day.'
It's just, like...
It's just really exciting.
I had a dream of having an old German motorbike, for years.
Did you? Yeah, I really want one.
But I obviously can't ride one. So now, you know, I'm this close.
Vroom! ARTHUR ROARS LIKE AN ENGINE
Thank you very much, end rehearsal there.
I will be. But not quite there.
But I'm not quite there.
Apparently because I'm actually not capable of riding one,
I'm not allowed to ride it.
I'm quite looking forward to seeing you on the back. Oh, no, don't!
KAREN SHRIEKS
I've just gone on the bike for the first time.
Apparently Andy, who was riding the bike, is the world champion at bikes.
Shows how much Karen knows about...
So, um, yeah, I felt quite safe with him riding it.
But you've been kicked off? But I've been kicked off.
Kicked well and truly off. And now they've put Steph, my stunt double, in to do it.
# Gonna ride my bike until I get home
# Gonna ride my bike until I get home... #
To achieve the look of authentic 1930s Berlin,
the production team sourced some vintage vehicles.
I provide a number of vehicles,
I've got a number of German, American, World War Two vehicles.
I've got a private collection
and I was asked to provide two motorbikes and a truck.
These are copies of a German BMW R71.
This is actually, really, a civilian motorbike
pressed into Wehrmacht, German army, service during the Second World War.
The things to look out for on World War Two era bikes,
this sort of classic design.
The clutch and brake levers like this, the shape of the front shroud over front shock absorbers.
Details like that, for anoraks like me, are quite interesting.
I was playing one of the Germans who turns into a Teselecta,
and I had to be very robotic
and then turn into the bike, like a Transformer.
And then I had to roar off, so I did that.
But the bike doesn't have any brakes, at all.
And I was heading straight for the boxes,
so I had to use the engine to slow me down
and slowly turn and get through that gap.
Maybe if that was an actor, it could have hit the box.
That's why we have stuntmen, for little things like that.
Earlier this year, Doctor Who Confidential
and BBC Learning launched the best competition ever.
A chance for schoolchildren across Britain
to write their very own episode of Doctor Who.
I would like you to write a story about me.
We're going to be learning about how to write scripts for Doctor Who.
One of the hardest things about writing Doctor Who
is writing the Doctor. He's a man with an extraordinary mind
and we've all just got ordinary minds.
He's got to be so fast, so clever and so funny.
And completely mad.
If it wins, you'll get to see it filmed
before it's broadcast on British television!
It's a writer's job to give me the sense of the world
that I'm inhabiting, the creatures that I see,
the atmosphere that the writer wants to create.
If that's on the page, actually it's quite easy.
Amy and Rory were on hand with extra challenges to help the children create their adventure.
I'd love you to write one of my adventures for me,
pretending to be me, for my blog. Totally as me.
I tried getting Rory to do it but he said no, very brave of him.
The Doctor offered to do some but it was all written in maths,
then he got distracted and started designing himself a hat.
Hello there, my name is Amy Pond.
I'm only 21 but since my 7th birthday,
I knew my life would not be easy.
Most important of all, is that if I am wearing a hat,
it is most definitely cool.
Ah! Right then. Before we land, the Doctor says
he needs a model building of what's outside.
That's brilliant.
Over 1,000 entries were received
and then a shortlist was created by a team of script editors.
There are rules, obviously. Urgh!
Rules, eh? Somewhere in...
There's plenty of practical reasons why we put limitations on it,
being a three-minute script
and having one monster and one character.
It's the limitations real writers work with.
Then the Doctor Who producers and controller of BBC Learning chose the winner.
What I liked about this, it's actually a simple story.
They are all very good though.
The dialogue in particular was great. They really seem to get the Doctor's character.
Again, a nice little time-travel twist there.
So, every single one had a vote,
but the winner is Death Is The Only Answer. Yes.
We have, in fact, won the competition.
It was a tough call among the last few, really tough.
I think any of them could have won. Each of them got votes.
It was a good result. Every single one got a vote.
Matt Smith will be very, very happy
that he'll get to play opposite Einstein.
But who is going to play Einstein?
Well, watch next week's Confidential to find out.
I didn't do that. I'm sure I didn't do that.
The Temple of Peace in Cardiff.
A place of calm, a place of serenity.
A place of...
Nazis?
I don't want anyone eating the food.
We don't have many repeats.
So don't eat it unless told to do so.
We always film here in the Temple of Peace.
This is where I filmed my very first Doctor Who experience
when I was in an old episode called The Fires Of Pompeii.
I played a soothsayer. And we filmed in here.
It has come, as foretold in the prophecy.
The box, the blue box.
It felt like we had travelled in time,
that we actually were back there in Berlin in the 1930s.
The location looked fantastic, the dining tables looked amazing,
the crowd just were brilliant.
Some might think it's difficult
to corral this many actors
but we have a crack team of ADs
who have it all worked out very carefully.
You can hear them briefing everybody.
Bring you just round to these two seats, please.
And, of course,
there's only one lady who could break up the Nazi's party.
GUNFIRE
Mein Damen un Herren.
I don't have a thing to wear.
Take off your clothes.
Cut there.
Lovely.
It feels pretty kick-ass. What a great entrance,
coming in with two great machine-guns like that.
It's fabulous.
Today I am playing a Teselecta - a robot version of Amy.
And, um, it's really fun, I'm really enjoying it.
I hope that it's different to Amy as she normally is, I think it is.
It's quite... No unnecessary movements, no blinking, no emotions.
Playing a robot... I think we're rehearsing. I'll be back. I'll be back.
Two, three, four, take two.
So, after Karen terminated our interview,
Confidential went inside the most massive of miniaturised sets.
Welcome to the top gantry of the Teselecta,
which leads to the iris behind me.
Michael and his team have done a fantastic job here,
they've followed the brief to create a fantastical structure
which was inspired by the Large Hadron Supercollider in Switzerland.
It's one of these great things that you can take elements of
and put into the bigger painting the Mill are going to do for us.
You can look every way on set
and you don't really know where you are.
It feels like a bigger structure.
Shades 44 to 89, peaking at 60.
Standard density. He's sweating a bit so compensate.
The iris behind me is based on the human eye.
There's a mechanical version of that
and Michael set the challenge of creating a practical iris,
so we can see the iris open and close
and give a great lighting effect.
It's a challenge but they've done a great job.
We have a lot to do this afternoon.
We've got to get it finished because they need this location,
and if we don't, we're in trouble because we can't come back here.
It will cost lots of money. So wish us luck, Confidential.
We're nearing the end of the sequence at the Temple of Peace.
We got some really good stuff.
We're just gearing up to shoot the sequence
where River gives her regeneration energy
to the Doctor to save his life.
It's quite an emotional sequence,
so the cast are getting really stuck into it.
Did you say she killed the Doctor?
The Doctor?
Doctor Who?
You're dying?
And you stop to change?
Oh, you should always waste time when you don't have any.
Time is not the boss of you - rule 408.
Thank you very much. >
Rule 409, if you're going to die, you might as well do it in style.
'He's back in his top hat and tails. What have we got then?
'We've got a bow-tie...'
It's an winged collar.
You have a nice starched shirt, some golden pearl studs.
These are my favourite bit, actually.
That's where all the money went.
The trousers, the spats? Are they spats?
They're not spats, they're patent leather evening shoes.
Patent leather evening shoes. Some pearl, are they pearl cufflinks?
Pearl. And this is sort of like card.
The reason I'm not wearing the jacket is we're doing a rehearsal
and I'm on the floor, so I took it off to keep it clean,
put it on a table into a glass of grape juice.
What do we do?
This is me.
This is me actually talking, what do we do?
Just stop...
She is your daughter, just stop them.
How?
Just do it!
Argh!
Please.
'It was difficult for Matt'
throwing himself on the floor,
and the steps were very uncomfortable for him to lie on.
I think he probably bruised his back
but he's really professional about it and did a fantastic job
and never let the fact he was banging his knees and collapsing,
he never let the physical pain of it get in the way
of his brilliant performance through that whole sequence,
which was fantastic.
Yes, a tough day today,
but it's always exciting.
It's been quite hot in there and I've had to do a lot of dying acting
which is tiring because you have to be quite tense and taught.
But I've enjoyed it, as I do every day.
It's Doctor Who.
HE SCREAMS
You still care.
That scene is a huge turning point forever,
because in the dining room, over the period of that ten minutes,
she goes from an assassin who has basically achieved her mission
and killed her target, her victim,
and she goes from that to deciding to sacrifice her immortality
to save the very man that she's spent her whole life
being programmed to kill.
I need to talk to your daughter.
What she's giving up are all her future regenerations.
Because she knows, in the end,
if you are told that yourself,
"That man you just killed will become the love of your life,"
you think, can I spend my life knowing this man,
who I'll fall in love every time I see him, is the man I have killed?
Find River Song...
and tell her something from me.
Tell her what?
This man is dying in front of her and she knows somehow
that he is more important to her than she really understands.
She then is shown a Teselecta of herself.
Show me River Song.
And she realises, from seeing this image of herself,
who she really is and what the Doctor really means to her.
River takes matters into her own hands and says, "I'll bring him back."
It is predestined.
She thinks, "That's my man and I believe it.
"I believe it's true."
What are you doing?
Just tell me, the Doctor,
is he worth it?
Yes. Yes.
He is.
And she then makes somewhat of a sacrifice
in order to keep him alive.
MUSIC: "End Credits" by Chase & Status
For a moment, the Doctor is there with a lady Time Lord who loves him.
For a brief moment, then it all goes wrong, but that's relationships for you.
Subtitles by Red Bee Media Ltd
E-mail subtitling@bbc.co.uk